Born to Ride


June 27, 2025

Two islanders set out from Alaska to Argentina.

Interview by Brian Bushard

Photography by Kit Noble

For most of the year, they’re behind a desk. But when summer rolls around, they’re on the road on their BMW R1200GS Adventure motorcycles, criss-crossing America’s highways from Hyannis to San Diego, letting go of the stresses of everyday life. “We both have this mentality that you’ve got to make time to doit, or it’s going to pass you by,” said Dean Miller, who co-founded the Nantucket Adventure Company with Kenan Giguere. “We’re not getting any younger.”


The trip to California is relatively quick. Once they hit San Diego, the adventure really begins. From there, Miller and Giguere travel north to Alaska on the Pan-American Highway, an 18,000-plus-mile road network that stretches from Prudhoe Bay on the Arctic Ocean to Ushuaia, Argentina, at the southern the tip of Tierra del Fuego, the southernmost city on the continent and the so-called end of the world.


All they have with them is the lightweight backpacking equipment they’ve secured to their bikes: tents, sleeping bags, sleeping pads, cooking equipment, clothes and “creature comforts,” along with the food, water and beer they’ve picked up along the way.


After dozens of these rides, they’ve come to realize the journey is as important as the sites they set out to see, and there’s a lesson in that journey. It doesn’t take much to live comfortably, they said. All that you really need, you can strap onto a bike. “You realize when you’re on these trips that you don’t need a lot of stuff,” Miller said. “You need shelter. You need food and transportation, and really that’s it. You can be sitting in the dirt at the end of the day. You appreciate less is more.”

Their trip this summer is part of the Nantucket Adventure Company, a bike touring company they launched to take bikers from Nantucket across the country and to different locations. It’s not just biking and camping. On this trip, they’ll also be chartering a halibut fishing boat and a helicopter in Alaska.


After that leg of the journey is over, they’ll reconvene for the second segment in San Diego, before heading south through Mexico to Panama. The last leg takes them from Colombia to Patagonia. People who sign up for these trips must have their own bikes. Everything else is provided, down to the three-course meals Miller—a chef—makes over a campfire. On one of his recent trips, Miller prepared a panko-crusted halibut with wild mushrooms, fresh corn risotto and grilled asparagus with a lemon beurre blanc. “That’s what you get in the middle of nowhere,” he said.


“I have worked my way in my business so that I can do this,” Giguere added. “I’ve spent years working seven days a week, not doing anything, never leaving this island in the summer. That’s not how I want to live my life. I worked very hard to get myself to a situation where I can do more of these trips."


The trips are personalized and kept small. They’re meant to teach people how to use the bikes the way they were designed to be used. “People buy these bikes and they ride them to Starbucks,” Giguere said. “It’s the running joke. These bikes are meant to do what we’re doing with them."

We’re passionate about this,” Giguere said. “We want to get people that had these bikes but didn’t have a lot of experience camping or going away on these trips. We wanted to develop something that we could safely bring them through.” Miller admits there’s an intimidation factor to the motorcycles. Each one weighs nearly 500 pounds, and that’s before equipment is strapped on. Each bike has a six-speed manual transmission and a 1,200 cc twin-cylinder engine.


“With the idea of taking this thing off-road, I wasn’t afraid, but I was definitely intimidated,” he said. At that point, Giguere advised him to take a course through BMW. Miller said it was the best thing he’s ever done. "My confidence level went through the roof,” Miller said. “They actually teach you how to ride these bikes properly. I would say 90% of people who have these machines don’t know where to start. That’s what we’re trying to do with our tours. We’re not taking people on something crazy. It’s totally doable.”


Miller and Giguere’s goal for the company is to expand beyond motorcycles to Jeeps and other big vehicles. They want to expand to a larger market. An African safari ride comes to mind.


At the end of the day, it’s a form of high-end glamping, where bikers can hit the open road and hang out at night by the light of a campfire in some national or state park, a beer in hand and a quality meal cooked over a fire. This is the best part of the whole journey, Miller said. Sitting down after a day of exploring a new place, not knowing exactly where you are and resting in the comfort of disconnecting from the real world.


“I live more minimalistically as a result of doing this,” he said. “I need less. I’m going to take what I need and that’s it. It’s kind of a mental state.”


“The bikes aren’t just a mode of transportation—they’ve become apart of us,” Giguere added. “You’re out there in nature and hear nothing but the trees and the rivers. When we’re old, we want them to tell our stories, and to remind us of the places we’ve been and the people we’ve met.

Latest Stories


By brianbushard August 6, 2026
Written by Brian Bushard Photography by Kit Noble For the past 10 years, Katherine Jetter has been selling her jewelry at her shop on Centre Street, The Vault. But unlike most jewelry stores, she is not only selling her own jewelry, but the earrings, bracelets and rings of 30 other couture jewelers. This month, she is showcasing those jewelers at a residency at Ten Easy Street, which runs through August 15. “The purpose is to celebrate our community and create a place to bring all of our clients into a social environment where they can get to know each other and experience all the things I love and curate on a deeper level in a social environment,” Jetter said. “I love bringing people together and curating, so I have curated some incredible experiences.”  How did you get into the world of jewelry making? I didn’t come from a multi-generational jewelry house where I had the privilege of growing up with a safe full of gems and access to everything. I’m completely self-made, and the only way that I could shine in a very saturated industry was to really teach myself to be an expert on specific subjects, so that I could really come from a place of knowledge. What did that process look like for you? I studied and studied books on the history of jewelry making. I went to every possible trade show I could find. I’ve been going to the Tucson Gem Show since I was 24 years old and I ask 10,000 questions. The thing that really made me learn was that I was never afraid to say what I didn’t know—why is this amethyst a $10 per-carat stone, and why is this amethyst a $200 per-carat stone? I found allies and friends in the industry that would help teach me and educate me. As a young 20-year-old, I found people who loved their craft who were excited to teach a young person what they knew. I would do everything from finding the rock to going to the mines. That is what I think really is different about me. I made it my business to be an expert and to study what I’m selling, so that I’m not just a designer who’s taking pretty objects and putting them together. I’m being very thoughtful about everything from the ground up—where it starts, how it’s made, the engineering of the piece and the execution. When you’re selling a product, if you don’t understand from the ground up the integrity of the piece, it’s a very different sales process than if you’re coming at it from a place of workmanship. Even though I specialize in certain avenues, I also recognize that there’s something for everybody, and if it’s not something that I’m making, I still want to find you. I love doing that; it really is what excites me. I’ve never had an ego around it being my way or the highway. If I don’t make what you’re looking for, I will find the expert that does.
By N Magazine August 4, 2026
FOGGY SHEET
By N Magazine August 4, 2026
FOGGY SHEET
By N Magazine August 4, 2026
FOGGY SHEET
By Paige Martino August 4, 2026
Interview by Paige Martino Photography courtesy of the Nantucket Historical Association Long before Greater Light became one of Nantucket’s most beloved historic houses, it was an aging 18th-century cow barn tucked away on what was then Bull Lane. Where others might have seen a weathered farm building, Quaker sisters Hanna and Gertrude Monaghan envisioned something extraordinary, transforming the humble barn into an exuberant home and art studio layered with salvaged architectural treasures, handcrafted furnishings and original paintings. They called it Greater Light . A hundred years later, Beverly Hall keeps HannaMonaghan’s spirit alive, putting on period clothes and performing as Hanna at Greater Light. “My feeling when I walked inside [Greater Light] for the first time was almost visceral,” Hall said. “One day during the process, I just got so immersed I said, ‘That house just needs someone to bring it alive.’ I just said it. I blurted it out. ‘Someone needs to be Hanna.’ The whole group turned around and said, ‘Beverly, why not you?’” Becoming Hanna meant immersing herself in Hanna’s memoir, filling pages with underlined passages, colorful notes and thoughtful observations tucked into the margins. She interviewed people who had known Hanna and spent countless hours researching both the Monaghan sisters and Greater Light itself. Along the way, she began recognizing unexpected parallels between their lives, particularly in their shared devotion to faith and the arts. “The attraction was immediate,” Hall said. “[Hanna] really sparked something within me, so I took it and ran with it.”
By brianbushard August 3, 2026
Written by Brian Bushard Photography by Kit Noble While they may not be household names in the true Hollywood sense, Nantucket’s summer population includes powerful producers, screenwriters and editors who are behind the scenes on the movies we all recognize. Indeed, Nantucket has an underground entertainment community that is in effect a hidden Hollywood.“I got involved in the Nantucket Film Festival before we bought a house on the island,” said Marc Resteghini, a producer with Amazon MGM Studios who executive produced the series Young Sherlock. “As I started to learn a little bit more about the festival itself, I started to realize there were a lot of people who either lived on the island or vacationed here from the entertainment industry.” Resteghini was named the new chair of the film festival this June. While Nantucket has a reputation for attracting politicians and Wall Street titans, lesser known is the fact that dozens of leaders in the entertainment industry have also found Nantucket as their summer refuge, just not the names you might know. “It’s like Sergeant Pepper Lonely Heart Club Band,” actor John Shea said. “We see each other but the last thing we want to do is talk about the film business. It’s more of a quiet acknowledgement of a fellow traveler thana fellowship.” “The Vineyard is where all the actors and the writers go, the creatives,” documentary film producer Annabelle Dunne added. Dunne summers on Nantucket. “I think a lot of people that work in Hollywood come here to be with their families, relax and enjoy Nantucket, not to network. But it is a small island, and sometimes when you take away the work component and you say we’re just getting together to get together, then things can happen.” 
MORE STORIES