Even Keel


August 29, 2025

Nantucket One Design at 100 Years

Written by Anne-Carter Riggs

Photography by Kit Noble

To sail competitively is to accept a certain level of discomfort. Damp clothes, cold wind and the strange positions sailors contort into—all of these factors are pillars of the sport. Even in a modern age of sailing, there might not be a more uncomfortable boat than the Nantucket One Design, a small skiff better known as an Indian that is celebrating 100 years on the water this year.


Almost exclusively sailed in Nantucket Harbor, the Indian holds more than just sailing in its design—it holds history. “I think the people who do join the Indian fleet are not doing it purely because they love racing or because they love sailing, but they love Nantucket and they want to be a part of something that is associated with the history of the island,” fleet captain Anthony Schweizer said.


The Indian’s hull, with the tall centerboard trunk and low boom, forces its sailors to squeeze through a small gap when tacking. The gunwale pokes out and is directly where the sailors sit, giving sailors dark bruises on their thighs. Despite the discomfort, the sailors of the Indian fleet have been competing weekly every summer since its creation in 1926. The boats bear Wampanoag names: Capaum, Dionis, Madequecham, Nippanoose, Polpis, Quaise and Sachem. Each 21-foot-long hull is a distinct color, manned by two to four people, and each boat’s wide mainsail is topped with two feathers.


As all old wooden things do, the boats began to fall apart, and by 1986, the fleet had dwindled to two boats, helmed by George Constable and Vladi Kagan. Even with just two boats, the fleet’s competitive nature was still alive and well. “It came down to the last day of the year, to see who got to win the season,” Constable’s son, Bobby, said. “Apparently it was such a big deal that a whole lot of spectators went out just to watch the race because they knew it was these two old legends battling it out.

The tenacity and uniqueness of the fleet, even with its aging boats, caught the eye of the late Alan Newhouse. He took it upon himself to revive the fleet and, with the help of Dan Avoures in Florida, took the wooden hull of one boat, Nippanoose, and made a fiberglass mold.


One by one, Alan and his wife, Virginia, would tow the newly built Indians from Tampa to Nantucket. He ensured these boats went to good homes, making people promise to race them and that they would never take them off the island. In the end, approximately 20 boats were personally delivered by him just in time to race in the summer of 1987. His daughter, Nancy Newhouse, has a photo of her father wearing a shirt that says: “There is nothing—absolutely nothing—half so much worth doing as simply messing about in boats.”


The One Design subsequently made a comeback. On some nights, known fondly as Moonlight Madness, the fleet would sail to the Head of the Harbor at sunset, returning under the light of the moon. One summer, the fog shrouded the harbor, so they anchored in the fog, only able to hear one another. Nancy Newhouse’s son, also named Alan, came to rescue the crew, but “we said no,” Nancy recalled. “I don’t know why we said no. Those were the things that we just loved to do.” They only returned at six in the morning.


The fleet also participates in traditions like the Constable Cup, a three-day regatta that includes a skit as a mandatory aspect of the competition, as well as a yearly sail to the beach fora picnic, both of which get non-racers involved in the fleet. By drawing in the sailors’ families, the Indian fleet has become more than just competitors—they are friends. Whether the sailors grew up on these uncomfortable boats or were invited to race later on—the fleet has prospered because all its members have a fierce love for it.


West Riggs, chairman of the Race Committee at the Nantucket Yacht Club, became an Indian sailor at 20 years old because Vladi Kagan needed another crew member. Schweizer began sailing when he was 10 years old, invited by George Constable who was “appalled” that he had never been on one. Both now own their own Nantucket One Designs and have passed down their love for the fleet to their children. “Nothing endures for that long without bringing joy” Schweizer said.

Latest Stories


By N Magazine August 31, 2026
FOGGY SHEET
By N Magazine August 31, 2026
Lisa & Tom's Nantucket wedding.
By brianbushard August 31, 2026
Fashion
By brianbushard August 28, 2026
Add these items to your Fall wish list.
Nantucket Cottage Hospital establishes the Nantucket Tick Center.
By N Magazine August 25, 2026
Nantucket Cottage Hospital establishes the Nantucket Tick Center.
By brianbushard August 6, 2026
Written by Brian Bushard Photography by Kit Noble For the past 10 years, Katherine Jetter has been selling her jewelry at her shop on Centre Street, The Vault. But unlike most jewelry stores, she is not only selling her own jewelry, but the earrings, bracelets and rings of 30 other couture jewelers. This month, she is showcasing those jewelers at a residency at Ten Easy Street, which runs through August 15. “The purpose is to celebrate our community and create a place to bring all of our clients into a social environment where they can get to know each other and experience all the things I love and curate on a deeper level in a social environment,” Jetter said. “I love bringing people together and curating, so I have curated some incredible experiences.”  How did you get into the world of jewelry making? I didn’t come from a multi-generational jewelry house where I had the privilege of growing up with a safe full of gems and access to everything. I’m completely self-made, and the only way that I could shine in a very saturated industry was to really teach myself to be an expert on specific subjects, so that I could really come from a place of knowledge. What did that process look like for you? I studied and studied books on the history of jewelry making. I went to every possible trade show I could find. I’ve been going to the Tucson Gem Show since I was 24 years old and I ask 10,000 questions. The thing that really made me learn was that I was never afraid to say what I didn’t know—why is this amethyst a $10 per-carat stone, and why is this amethyst a $200 per-carat stone? I found allies and friends in the industry that would help teach me and educate me. As a young 20-year-old, I found people who loved their craft who were excited to teach a young person what they knew. I would do everything from finding the rock to going to the mines. That is what I think really is different about me. I made it my business to be an expert and to study what I’m selling, so that I’m not just a designer who’s taking pretty objects and putting them together. I’m being very thoughtful about everything from the ground up—where it starts, how it’s made, the engineering of the piece and the execution. When you’re selling a product, if you don’t understand from the ground up the integrity of the piece, it’s a very different sales process than if you’re coming at it from a place of workmanship. Even though I specialize in certain avenues, I also recognize that there’s something for everybody, and if it’s not something that I’m making, I still want to find you. I love doing that; it really is what excites me. I’ve never had an ego around it being my way or the highway. If I don’t make what you’re looking for, I will find the expert that does.
MORE STORIES