Patching Things Up


May 21, 2026

Written by Brian Bushard

Photography by Kit Noble

Ann Patchett at the Nantucket Book Festival

I'm in a blender, that’s where I am.” That’s how bestselling author Ann Patchett describes the book tour she has embarked on for the release of her highly anticipated novel Whistler. Like many of Patchett’s novels, Whistler, at its core, is about family and rekindling relationships, telling the story of an adult woman who reconnects with the man her mother was briefly married to, whose relationship burned bright and fast. Patchett will be speaking about the new novel at the Nantucket Book Festival this June.


"You can’t get away [from family] so you have to deal with your problems,” said Patchett, the author of critically acclaimed novels such as Bel Canto, Commonwealth and The Dutch House. Her settings are often places that are hard to escape, either physically or emotionally. “It’s the same reason why I write so much about family,” she said. “If you hate your job, you can quit. People always talk about leaving their family, but they never really do, even if they haven’t spoken to their parents in years. They’re like a hook in your mouth.”


Patchett has spent time in places that feel inescapable, as well. Sometimes they serve as inspiration. In the early ’90s, she spent winters in Provincetown, where she won a fellowship to the Fine Arts Work Center and wrote her debut novel, The Patron Saint of Liars. “Provincetown was, in so many ways, just one of the happiest times in my life,” said Patchett, who now lives in Nashville, where she owns Parnassus Books. “I used to go back and teach at the work center some summers for a week, but I found it really disturbing to see all those people in the deadest town in the whole wide world, and then you couldn’t park on Commercial Street in the summer.”


“It’s like whiplash, like two different places,” she added. “I like those environments, like Nantucket in the winter, where you can’t get away from your problems, so you have to deal with them. That’s just very fertile ground for fiction.” That idea has come through in a number of Patchett’s books, launching her into literary superstardom. She was a National Book Critics Circle Award finalist and won the PEN/Faulkner Award for her breakout novel, Bel Canto. She has won the Carl Sandburg Literary Award from the Chicago Public Library Foundation, and was recognized by Time magazine in 2012 as one of its 100 most influential people in the world. But that fame never really sunk in.


Writing, she said, remains business as usual. When asked about how she plans a new book, she said she doesn’t think of big themes. Instead, she simply takes inspiration from the day at hand. “I don’t ever think I’m going to write about those themes [of family or inescapable environments],” she said. “In fact, it’s just the opposite. I will think that I’m not going to write about those things anymore, and then I finish a book and think, ‘Oh, well, look, there those themes are,’ because it’s me and it’s my subconscious, and that’s what I go back to, even if I think I’m not doing it.”


As the owner of a bookstore, business for Patchett also means sifting through hundreds—if not thousands—of books a year that she will put upon the shelves. She chooses some of those books for her book club, which has swelled to 2,000 members. “The UPS truck comes to the house every day and comes to the bookstore several times a day,” she said. “Everybody wants me to read their [pre-publication novel].” But at the end of the day, she can only read so many of them. If a book doesn’t have her attention after a few pages, she’ll give up on it. And with so many author talks, book signings, book clubs and boxes and boxes of advanced reader copies, she finds herself looking for an escape.


In a 2014 essay for The New York Times, she reflected on escapism from her time in Provincetown: “There were so many hours in every day and so few ways to spend them that after trying to figure out how to write a novel all day, I’d drive to Race Point Beach to look at the stars.” Those quiet moments of solitude—like winter in a resort town—serve as the inspiration she needs. “I write more now that I don’t have anytime and my life is flooded with books,” she said. “I don’t understand that, but I think that it’s true of a lot of writers [who are] bookstore owners. You’re just so submerged in that world of literature.”


Ann Patchett will be in conversation with TimEhrenberg on June 13 at the Methodist Church for the Nantucket Book Festival. Her new book, Whistler, comes out June 2.

You’ve created a persona of warmth and neutrality at a time when the media rewards outrage and division. Do you get the sense that audiences are craving a different type of on-air personality at a time the country is so split?


JENNA BUSH HAGER: It’s not a persona; it’s just who I am. I act the way I act on camera the way I do at home with my kids and with my friends and colleagues. I can’t worry about what people want or don’t want. I can just be myself. It’s so much easier to be who you are and be truthful. People want positivity, optimism and hopeful stories. One of the great things about The Today Show is that we have access to all of these extraordinary everyday people who are doing incredible things in our world and lifting up their neighbors. We understand what a privilege it is to put goodness into the world.


The Today Show is uniquely durable at a time of slumping television ratings. What is it about The TodayShow that captivates viewers?


BUSH HAGER: We work for an institution. I remember sitting in my grandparents’ house in Midland, Texas, seeing Willard Scott on television. All of us are very much aware that this place has been here forever. We are part of a bigger story. That’s one of the reasons why every morning when we walk into 30 Rock at the crack of dawn when it’s still dark outside, we’re so grateful for where we work and who we work with. When you’re part of a brand that has a storied history like The Today Show and NBC News, you know that you’re keeping the seat warm. All of us feel that way and feel so grateful for where we work.


Why did you go down the route of launching a book club?


BUSH HAGER: My mom was a librarian. She started two book festivals. My grandmothers both loved to read, and I know the importance of storytelling. We’re reading less as a culture, but I also know that people want book recommendations. Authors need a spotlight. I have one; I work at The Today Show. I have the ability to highlight debut and diverse voices—voices that aren’t always heard and books that I just love. It’s been this incredible privilege to get to share stories with our audience. It’s what I’ve always wanted to do.


What goes into the process of choosing books?


BUSH HAGER: Mainly I want a story that’s good. I want something that’s propulsive, interesting and discussible. I founded a book club, so conversation is something we think about. I also want newer voices that haven’t been published before, because I know how hard it is [for new authors]. I want books that are propulsive, fun and flashlight-under-the-covers late-night reading, and I also like things that have depth so they can be discussed.


How important is it to encourage children to read, especially in today’s digital world?


BUSH HAGER: It’s the world we live in. We also have to look at ourselves as adults who are looking down a tour phones instead of into the eyes of our children, because what does that say to them? I did a piece when I first came back from maternity leave for The Today Show that said there was all this anecdotal evidence of kids feeling as though they were less important or not interesting because their parents were looking down. It is the world we live in, and sometimes it can feel really scary. There’s also a place for books. There’s a place for reading. I read to my son every single night, and because he’s my youngest—and because my 13-year-old [daughter] now doesn’t want me to read to her every single night—I’ve realized it’s short-lived. [I try to] enjoy every single moment of those really special moments, because at some point, he’s going to want to read chapter books like his older sister, without me. Technology can be scary, but it’s up to us as parents to encourage our children to fall in love with reading.

How has artificial intelligence disrupted the learning process?


BUSH HAGER: If we had the answer, we would be psychic. We just don’t know. It’s too early to understand the repercussions [of artificial intelligence]. It’s up to parents to guide their children and make sure they know why research is important and why understanding critical-thinking issues is something we need to do as humans. I wish I had the answer to that question, but I do know there are other things we can be doing as parents to encourage critical thinking.


As a young girl, your sister asked when other grandparents would have their inauguration parties. How can a president remain relatable to the public?


BUSH HAGER: The reason why my sister [Barbara] said that is because my grandfather was an unbelievably humble man, and he made each of his grandchildren—and he had many—feel like we were his favorite. This was a time before social media, before cellphones. When we were with him, he acted like we were the most important thing in the entire world, and my parents did too. Why Barbara thought that all grandfathers’ inaugurations were like bar mitzvahs and [that] we celebrated grandfathers in this country is because he never acted like he was better than anybody else. He lived for many years, and we always watched as he was unbelievably kind. The truth is losing somebody in the public eye can be very hard and you’re publicly grieving. It’s not something many people understand, but it’s also very beautiful because we got to learn about all of the acts of service and kindness that he did without even telling his children and grandchildren. He wasn’t about broadcasting whatever he was doing; he was about kindness, humility and decency, which are all characteristics I’m hoping to pass on to my children.


You just interviewed four former presidents. Is there a commonality among them?


BUSH HAGER: What I was left with after interviewing all four of them is that they’re all optimistic about the country we live in and still grateful for our country and the freedoms that 250 years ago were allowed to us via the Constitution. They all said that. I left feeling hopeful in this experiment called America.


If you could recommend one book, what would it be?


BUSH HAGER: The book that first moved me and made me realize that I wanted to start a national book club, which I did seven years ago, was The Bluest Eye by Toni Morrison. I loved everything she wrote. I reread it multiple times. That book made me realize books have the power to help create empathy. They’re a catalyst for conversation and empathy and compassion, which is such a powerful tool. I’m excited to be on Nantucket for the Nantucket Book Festival because it is a small festival that represents what all of these festivals do in bringing people together, bringing thought leaders and authors, and allowing for engaging conversation, which we need now more than ever.

Latest Stories


By brianbushard August 6, 2026
Written by Brian Bushard Photography by Kit Noble For the past 10 years, Katherine Jetter has been selling her jewelry at her shop on Centre Street, The Vault. But unlike most jewelry stores, she is not only selling her own jewelry, but the earrings, bracelets and rings of 30 other couture jewelers. This month, she is showcasing those jewelers at a residency at Ten Easy Street, which runs through August 15. “The purpose is to celebrate our community and create a place to bring all of our clients into a social environment where they can get to know each other and experience all the things I love and curate on a deeper level in a social environment,” Jetter said. “I love bringing people together and curating, so I have curated some incredible experiences.”  How did you get into the world of jewelry making? I didn’t come from a multi-generational jewelry house where I had the privilege of growing up with a safe full of gems and access to everything. I’m completely self-made, and the only way that I could shine in a very saturated industry was to really teach myself to be an expert on specific subjects, so that I could really come from a place of knowledge. What did that process look like for you? I studied and studied books on the history of jewelry making. I went to every possible trade show I could find. I’ve been going to the Tucson Gem Show since I was 24 years old and I ask 10,000 questions. The thing that really made me learn was that I was never afraid to say what I didn’t know—why is this amethyst a $10 per-carat stone, and why is this amethyst a $200 per-carat stone? I found allies and friends in the industry that would help teach me and educate me. As a young 20-year-old, I found people who loved their craft who were excited to teach a young person what they knew. I would do everything from finding the rock to going to the mines. That is what I think really is different about me. I made it my business to be an expert and to study what I’m selling, so that I’m not just a designer who’s taking pretty objects and putting them together. I’m being very thoughtful about everything from the ground up—where it starts, how it’s made, the engineering of the piece and the execution. When you’re selling a product, if you don’t understand from the ground up the integrity of the piece, it’s a very different sales process than if you’re coming at it from a place of workmanship. Even though I specialize in certain avenues, I also recognize that there’s something for everybody, and if it’s not something that I’m making, I still want to find you. I love doing that; it really is what excites me. I’ve never had an ego around it being my way or the highway. If I don’t make what you’re looking for, I will find the expert that does.
By N Magazine August 4, 2026
FOGGY SHEET
By N Magazine August 4, 2026
FOGGY SHEET
By N Magazine August 4, 2026
FOGGY SHEET
By Paige Martino August 4, 2026
Interview by Paige Martino Photography courtesy of the Nantucket Historical Association Long before Greater Light became one of Nantucket’s most beloved historic houses, it was an aging 18th-century cow barn tucked away on what was then Bull Lane. Where others might have seen a weathered farm building, Quaker sisters Hanna and Gertrude Monaghan envisioned something extraordinary, transforming the humble barn into an exuberant home and art studio layered with salvaged architectural treasures, handcrafted furnishings and original paintings. They called it Greater Light . A hundred years later, Beverly Hall keeps HannaMonaghan’s spirit alive, putting on period clothes and performing as Hanna at Greater Light. “My feeling when I walked inside [Greater Light] for the first time was almost visceral,” Hall said. “One day during the process, I just got so immersed I said, ‘That house just needs someone to bring it alive.’ I just said it. I blurted it out. ‘Someone needs to be Hanna.’ The whole group turned around and said, ‘Beverly, why not you?’” Becoming Hanna meant immersing herself in Hanna’s memoir, filling pages with underlined passages, colorful notes and thoughtful observations tucked into the margins. She interviewed people who had known Hanna and spent countless hours researching both the Monaghan sisters and Greater Light itself. Along the way, she began recognizing unexpected parallels between their lives, particularly in their shared devotion to faith and the arts. “The attraction was immediate,” Hall said. “[Hanna] really sparked something within me, so I took it and ran with it.”
By brianbushard August 3, 2026
Written by Brian Bushard Photography by Kit Noble While they may not be household names in the true Hollywood sense, Nantucket’s summer population includes powerful producers, screenwriters and editors who are behind the scenes on the movies we all recognize. Indeed, Nantucket has an underground entertainment community that is in effect a hidden Hollywood.“I got involved in the Nantucket Film Festival before we bought a house on the island,” said Marc Resteghini, a producer with Amazon MGM Studios who executive produced the series Young Sherlock. “As I started to learn a little bit more about the festival itself, I started to realize there were a lot of people who either lived on the island or vacationed here from the entertainment industry.” Resteghini was named the new chair of the film festival this June. While Nantucket has a reputation for attracting politicians and Wall Street titans, lesser known is the fact that dozens of leaders in the entertainment industry have also found Nantucket as their summer refuge, just not the names you might know. “It’s like Sergeant Pepper Lonely Heart Club Band,” actor John Shea said. “We see each other but the last thing we want to do is talk about the film business. It’s more of a quiet acknowledgement of a fellow traveler thana fellowship.” “The Vineyard is where all the actors and the writers go, the creatives,” documentary film producer Annabelle Dunne added. Dunne summers on Nantucket. “I think a lot of people that work in Hollywood come here to be with their families, relax and enjoy Nantucket, not to network. But it is a small island, and sometimes when you take away the work component and you say we’re just getting together to get together, then things can happen.” 
MORE STORIES