FULL HOUSE


July 31, 2022

A new nonprofit on Nantucket is giving teens a seat at the table.

story by Rebecca Settar

photography by Kit Noble

Nantucket can be a hard place for teenagers to grow up, particularly during the offseason with its chilly temperatures, early sunsets and lack of social activity. Factor in the prevalent scourge of housing insecurity and the lack of space for a young person to call their own, and the island environment can be depressing, isolating and, worse, conducive to substance abuse.


Thankfully, there’s the new nonprofit Our House, a palatial Nantucket home turned hangout for teens where they can come after school to relax, work on a project and enjoy a communal dinner at the long dining table each and every night of the week. With its doors opening next month, Our House is a dream come true for one Nantucket family who spent years meditating on how they could best serve the island’s teenage population.

When Pauline Proch’s son Cody, now twenty-three, would have friends over for the night in high school, they all asked the same question: “Did your family eat together at the table only because I am here?” Cody explained that they had dinner as a family every night. His friends’ question made it alarmingly clear that most of them didn’t eat with their families, let alone sit at an actual table for dinner. Cody told his mother this, and together, they began dreaming about a place for teens to go where they could enjoy that communal family meal.

“OK, so it’s a house,” Proch recalls brainstorming with her other son, Michael, and her husband, Tom Proch, former head chef at the Club Car who now serves as the culinary arts teacher at Nantucket High School. They knew that a banquet hall or school building would be too formal. It needed to have a cozy, natural feel if it was going to work, like an extension of a teen’s own home.


Interestingly, they had all envisioned the property at 5 Wherowhero Lane, a uniquely designed large-scale home that also functioned as a private event space, as the perfect location for such a program but never discussed it. However, as fate would have it, Cody had the sudden urge to look at homes for sale on Nantucket, and there it was.

“I never questioned why my twenty-three-year-old was looking at real estate,” Proch laughs, recalling the text she received from her son with the listing. The next day, as she was finishing lunch with her friend Teckie Shackelford, Proch shared her dream for their program and the story about her son’s friends never having dinner with their families that inspired it, not to mention the sobering fact that the need for free and reduced lunches had risen from 10 percent to 40 percent in Nantucket’s public schools. After listening, Shackelford asked if Proch had a location in mind for such a program.

"You won’t believe this, Teckie,” Proch said, “but I just got this text yesterday.” After viewing the listing, Shackelford said, “Let’s go have a look.” Proch recalls how, as they strolled the property together, Shackelford, a lifelong philanthropist and founder of her own nonprofit organization, I Know I Can, said aloud, “I can buy this, and I should.”


“The passion in her voice is so palpable,” Shackelford says today of Proch. “She loves kids and loves kids who need help. And I am so grateful at this point in my life to believe that I have found a place on Nantucket to make a difference.”


“I just smile from ear to ear,” Proch says. “Having thought about something for so long and here I am, living it. This was all meant to be and I’m just part of the engine making it work. And it would never have been possible without Teckie.”

With a location now in place, Proch began setting up the infrastructure for Our House, recruiting the help of former superintendent Michael Cozort, who came out of retirement for the opportunity to serve as program director. “This community needs a place just for the teens,” says Cozort. “Sports are terrific and fill a big need for the island, but not everyone plays a sport. We need to connect kids to other kids and adults, and make healthy connections.” In addition to Proch’s foundation-laying responsibilities, she is tasked with the goal of fundraising $500,000 in 2022, and another $500,000 from new donors in 2023, in order to receive a generous matching donation of $500,000 from a special donor. “It does worry me,” Proch says, “although I know Nantucket is extremely generous.” Indeed, volunteers across the island have offered everything from home furnishings to professional services to help bring the dream of Our House to life. In fact, Proch reports a list of as many as seventy key individuals who assist her and Cozort on a consistent basis. Most important, however, Proch and Cozort are hearing from teens themselves, listening to what they want and need. “This is a space for you,” Proch says to them, “so tell us what you need and what would bring you here after school.”

With plans to open its doors the third week of September, Proch, Cozort and a plethora of volunteers the island over are busy at work, doing everything from painting walls to building a second fully accessible kitchen for those with disabilities or mobility issues. But once those doors open, Proch hopes the students themselves will contribute in making Our House sustainable, whether it’s preparing dinner, cooking or cleaning. “It is their house,” she says. “The name is intentional. It’s too big a gift to hold to one person.”


A virtual calendar will indicate the days in which students can come (with a max of approximately fifty teens at one time, depending on staff), and dinner will be served five nights a week, a key factor being that the meal will be free to every student, regardless of need. “We want to create a family,” Proch says. “Being able to connect students to one another and to adults that will have a healthy impact on their lives is why we are doing this. We truly want to benefit their lives.”

Our House is a refuge for teens to play, produce, connect, study and share a meal together.

Latest Stories


By brianbushard August 6, 2026
Written by Brian Bushard Photography by Kit Noble For the past 10 years, Katherine Jetter has been selling her jewelry at her shop on Centre Street, The Vault. But unlike most jewelry stores, she is not only selling her own jewelry, but the earrings, bracelets and rings of 30 other couture jewelers. This month, she is showcasing those jewelers at a residency at Ten Easy Street, which runs through August 15. “The purpose is to celebrate our community and create a place to bring all of our clients into a social environment where they can get to know each other and experience all the things I love and curate on a deeper level in a social environment,” Jetter said. “I love bringing people together and curating, so I have curated some incredible experiences.”  How did you get into the world of jewelry making? I didn’t come from a multi-generational jewelry house where I had the privilege of growing up with a safe full of gems and access to everything. I’m completely self-made, and the only way that I could shine in a very saturated industry was to really teach myself to be an expert on specific subjects, so that I could really come from a place of knowledge. What did that process look like for you? I studied and studied books on the history of jewelry making. I went to every possible trade show I could find. I’ve been going to the Tucson Gem Show since I was 24 years old and I ask 10,000 questions. The thing that really made me learn was that I was never afraid to say what I didn’t know—why is this amethyst a $10 per-carat stone, and why is this amethyst a $200 per-carat stone? I found allies and friends in the industry that would help teach me and educate me. As a young 20-year-old, I found people who loved their craft who were excited to teach a young person what they knew. I would do everything from finding the rock to going to the mines. That is what I think really is different about me. I made it my business to be an expert and to study what I’m selling, so that I’m not just a designer who’s taking pretty objects and putting them together. I’m being very thoughtful about everything from the ground up—where it starts, how it’s made, the engineering of the piece and the execution. When you’re selling a product, if you don’t understand from the ground up the integrity of the piece, it’s a very different sales process than if you’re coming at it from a place of workmanship. Even though I specialize in certain avenues, I also recognize that there’s something for everybody, and if it’s not something that I’m making, I still want to find you. I love doing that; it really is what excites me. I’ve never had an ego around it being my way or the highway. If I don’t make what you’re looking for, I will find the expert that does.
By N Magazine August 4, 2026
FOGGY SHEET
By N Magazine August 4, 2026
FOGGY SHEET
By N Magazine August 4, 2026
FOGGY SHEET
By Paige Martino August 4, 2026
Interview by Paige Martino Photography courtesy of the Nantucket Historical Association Long before Greater Light became one of Nantucket’s most beloved historic houses, it was an aging 18th-century cow barn tucked away on what was then Bull Lane. Where others might have seen a weathered farm building, Quaker sisters Hanna and Gertrude Monaghan envisioned something extraordinary, transforming the humble barn into an exuberant home and art studio layered with salvaged architectural treasures, handcrafted furnishings and original paintings. They called it Greater Light . A hundred years later, Beverly Hall keeps HannaMonaghan’s spirit alive, putting on period clothes and performing as Hanna at Greater Light. “My feeling when I walked inside [Greater Light] for the first time was almost visceral,” Hall said. “One day during the process, I just got so immersed I said, ‘That house just needs someone to bring it alive.’ I just said it. I blurted it out. ‘Someone needs to be Hanna.’ The whole group turned around and said, ‘Beverly, why not you?’” Becoming Hanna meant immersing herself in Hanna’s memoir, filling pages with underlined passages, colorful notes and thoughtful observations tucked into the margins. She interviewed people who had known Hanna and spent countless hours researching both the Monaghan sisters and Greater Light itself. Along the way, she began recognizing unexpected parallels between their lives, particularly in their shared devotion to faith and the arts. “The attraction was immediate,” Hall said. “[Hanna] really sparked something within me, so I took it and ran with it.”
By brianbushard August 3, 2026
Written by Brian Bushard Photography by Kit Noble While they may not be household names in the true Hollywood sense, Nantucket’s summer population includes powerful producers, screenwriters and editors who are behind the scenes on the movies we all recognize. Indeed, Nantucket has an underground entertainment community that is in effect a hidden Hollywood.“I got involved in the Nantucket Film Festival before we bought a house on the island,” said Marc Resteghini, a producer with Amazon MGM Studios who executive produced the series Young Sherlock. “As I started to learn a little bit more about the festival itself, I started to realize there were a lot of people who either lived on the island or vacationed here from the entertainment industry.” Resteghini was named the new chair of the film festival this June. While Nantucket has a reputation for attracting politicians and Wall Street titans, lesser known is the fact that dozens of leaders in the entertainment industry have also found Nantucket as their summer refuge, just not the names you might know. “It’s like Sergeant Pepper Lonely Heart Club Band,” actor John Shea said. “We see each other but the last thing we want to do is talk about the film business. It’s more of a quiet acknowledgement of a fellow traveler thana fellowship.” “The Vineyard is where all the actors and the writers go, the creatives,” documentary film producer Annabelle Dunne added. Dunne summers on Nantucket. “I think a lot of people that work in Hollywood come here to be with their families, relax and enjoy Nantucket, not to network. But it is a small island, and sometimes when you take away the work component and you say we’re just getting together to get together, then things can happen.” 
MORE STORIES